Tag Archives: movie history

Films of 1920: Pollyanna and Suds

It’s only fair to follow up a post about Douglas Fairbanks with one about the other half of Hollywood’s Royal Couple, “America’s Sweetheart” Mary Pickford. Mary began her film career in 1909, joining the American Biograph Company to act for D.W. Griffith in silent one-reelers. At that time the sixteen-year-old had already spent eight years on the stage. She was capable and mature beyond her years, as she was supporting her mother and two younger siblings. At that time studios did not release the names of their players, but audiences noticed the girl with the round face and the golden curls right away, and clamoured to know who she was. Theatres advertised her as “the girl with the curls” or “the Biograph Girl” until her name was finally released to the press. In this way she was among the very first movie stars.

(Her real name was Gladys Smith. The stage name of Mary Pickford was selected for her by theatrical impresario David Belisario.)

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4. Pather Panchali (1955)

Continuing my countdown of the last ten of 100 consecutive movie nights.

Pather Panchali (1955), dir. Satyajit Ray, starring Kanu Bannerjee, Karuna Bannerjee, Uma das Gupta, Subir Bannerjee, Chunibala Devi. Music by Ravi Shankar.

This was independent India’s first big film success. It was also the debut of Satyajit Ray, who had never directed a film before and cinematographer Subrata Mitra, a stills photographer who had never operated a film camera before the first day of the shoot. On a shoestring budget and with a novice crew, production proceeded in fits and starts over a three year period. The end result is astonishingly mature in its pacing and storytelling, and the cinematography is stunning. Both Ray and Mitra went on to lengthy successful careers because of the international acclaim the film received.

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7. Les Enfants du Paradis (1945)

Continuing my countdown of the final 10 in 100 consecutive movie nights!

Les Enfants du Paradis / Children of Paradise (1945) dir. Marcel CarnĂ©, starring Arletty, Jean-Louis Barrault, Pierre Brasseur. Another film shot in wartime, with a fascinating backstory. During the occupation of France, German authorities decided to keep the French film industry going, as a kind of public relations move, and many French films were produced during this period, under Nazi supervision. The Germans restricted subject matter and put limits on film length, which is why this three-hour epic is ostensibly broken into two parts – it was shot as two films, but has always been shown as one.

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